by
rithompson
@ Friday, Jan. 16, 2009 - 19:45:50
Plot: Ka, a poet, returns to Istanbul after many years in exile in Germany. He is persuaded by an old friend to travel to Kars, way over in eastern Turkey, to report on the elections and a spate of teenage suicides. Also because a recently single, beautiful former school friend lives in the town.
When he arrives the snow blocks the roads out of Kars, and he's stuck in the town with militant young Muslims, militant secularist officials and intelligence people, and a secular theatre group who aim to provoke the Muslim population. Oh, and he's staying at the hotel owned by the father of the old school friend (Ipek), which makes the eventual romance very difficult to put into practice.
My thoughts: I quite enjoyed this book. Okay, Pamuk does go off on tangents and you don't realise until the end that they might have some relevance. At the time you wish he'd just get on with the story, but that's only a minor annoyance. The love scenes between Ka and Ipek seem rather clumsy, but they were enjoyable nonetheless.
The interesting thing about the characters was they all have a very black and white view of the world. That is, you're either religious or an atheist. An educated, westernised person or a primitive, simple person from the sticks. There is no middle ground, and certainly no grey areas for the characters. Maybe they reflect attitudes of people in Turkey, or the rest of the world. I'm not sure, but this planet does have a lot of people who think it is all black and white, rather than green, blue and various shades of grey!
Ka is an infuriating character. Claims not to be interested in politics, despite being in Kars to cover a political event and becoming deeply involved in the political drama of the book. He is also primarily concerned with saving his own skin, no matter who he betrays or how big a lie he tells. He seems to enjoy being unhappy, even sabotaging potential happiness with Ipek. Maybe it's the tortured artist syndrome, maybe he is pathological unhappy. However, like Ipek, we want to believe he is a good guy.
If I was to rate this book, I'd give it an eight out of ten. Pamuk probably puts a little too much into the story, but it doesn't prevent it from being a good book.